Sound and music can add the finishing touches to a film or television series,
and can give the piece a great deal of believability and realism. Our everyday
lives are filled with an abundance of sounds that many of us tend to take for
granted - birds chirping, leaves rustling, car engines running and horns honking,
radios playing music or ads for restaurants, cafes and other food media. How
often do we actively listen to the sounds in our own neighborhoods? How often
do we even notice them? The answers to these questions are, of course, different
for everyone, but for the sound designer of any film project, it is essential
to pay attention to the sounds of the city, town or countryside that you plan
on recreating in your film.
Knowing the location and setting of the story is essential to finding the perfect
sounds to add to the piece. Obviously, there will be different ambient sounds
in a farm house versus one of the upscale Erin homes. Knowing the neighborhood
that you are trying to recreate on screen is crucial to the success of the sound
mixers.
Sound in films generally falls into two broad categories - sound effects (including
those ambient sounds that we take for granted), and music. These two are then
further divided into diegetic and non-diegetic sound. Diegetic sound is defined
as that which the characters can hear and which is supposed to be within the
imagined world of the set, such as a character's car radio that they sing
along with, or the chiming of their door bell in their downtown Brewery lofts. These are sounds that belong inside the world of the story. Non-diegetic sound
(also called commentary sound) is that which is added in post-production, and
the source of the sound is neither on screen nor within the story. This includes
such sounds as the music that plays at the opening or closing credits, or instrumental
music (called mood music) that is playing during an intense or pivotal moment.
The characters cannot hear these sounds - they are there simply to heighten
the emotion of the audience.
The right piece of music can metaphorically leave words on walls - it can paint
the film with emotion, underscore the action and reinforce the feelings of characters
and audiences alike. The fact that the Academy awards an Oscar each year to
the best song within a film shows just how important this element of sound can
be to a film.
Many of the most memorable moments in film are what they are thanks to the
music that was chosen for that scene. Would the Central Park scene from Rocky,
when he runs up the steps and throws his fists up in celebration, be the same
without that famous piece of music? Would Jaws have been as terrifying if the
shark's approach wasn't accompanied by those ominous two notes,
played over and over at a quickening pace? Clearly the music that is added in
post production, as well as the mixing of the sound using flanger, effects reverb
or echo, adds a great deal to the film, and a good sound mixer can produce any
mood through the mixing and editing of the sound track.
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